The edition brings together the known writings in poetry and prose of Edward Rushton (1756--1814). Blinded by trachoma after an outbreak on the slaving ship in which he was a young officer, Rushton returned to Liverpool to scratch a living as a publican, newspaper editor, and finally bookseller and publisher. In his day Rushton was a well-known Liverpool poet and reformer, with an impressively wide range of causes (the Liverpool Blind School, the Liverpool Marine Society, and many radical political groups). Many of his songs, particularly the marine ballads, were very familiar in Britain and America. In the later Victorian period, as a particular version of romanticism began to dominate literary sensibilities, Rushton's overt politics fell from favour and he became rather obscure, at least by comparison with his like-minded (but much better off) friend William Roscoe. As the history of slavery abolition and other radical causes has come to be re-examined, the bicentenary of Rushton's death, falling in November 2014, has suggested an opportunity to take a new look at his remarkable career and impressive body of work. There has never been a critical edition of Rushton's poems. His own 1806 edition omits much, including what is his best-known work in modern times, the anti-slavery West-Indian Eclogues of 1787; the posthumous 1824 edition omits much from the 1806 collection while drawing in other work. The present edition works from the earliest datable sources, in newspapers, chapbooks, periodicals, and broadsides, providing a clean text with significant revisions and variants noted in the commentary. Unfamiliar words are glossed, and brief introductions and contextual commentaries, informed by the latest scholarship, are given for each piece of writing.

The edition brings together the known writings in poetry and prose of Edward Rushton (1756--1814). Blinded by trachoma after an outbreak on the slaving ship in which he was a young officer, Rushton returned to Liverpool to scratch a living as a publican, newspaper editor, and finally bookseller and publisher. In his day Rushton was a well-known Liverpool poet and reformer, with an impressively wide range of causes (the Liverpool Blind School, the Liverpool Marine Society, and many radical political groups). Many of his songs, particularly the marine ballads, were very familiar in Britain and America. In the later Victorian period, as a particular version of romanticism began to dominate literary sensibilities, Rushton's overt politics fell from favour and he became rather obscure, at least by comparison with his like-minded (but much better off) friend William Roscoe. As the history of slavery abolition and other radical causes has come to be re-examined, the bicentenary of Rushton's death, falling in November 2014, has suggested an opportunity to take a new look at his remarkable career and impressive body of work. There has never been a critical edition of Rushton's poems. His own 1806 edition omits much, including what is his best-known work in modern times, the anti-slavery West-Indian Eclogues of 1787; the posthumous 1824 edition omits much from the 1806 collection while drawing in other work. The present edition works from the earliest datable sources, in newspapers, chapbooks, periodicals, and broadsides, providing a clean text with significant revisions and variants noted in the commentary. Unfamiliar words are glossed, and brief introductions and contextual commentaries, informed by the latest scholarship, are given for each piece of writing.

Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, Janacek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.

Title: Expostulatory letter to George Washington, of Mount Vernon, in Virginia, on his continuing to be a proprietor of slaves.Author: Edward RushtonPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP02819600CollectionID: CTRG99-B161PublicationDate: 17970101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Collation: 24 p.; 19 cm

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School LibraryCTRG95-B3535Includes index.London: Simpkin, Marshall, 1903. 305 p., 5] leaves of plates: ill.; 23 cm

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm26123657Attributed to Edward Rushton.London: Simpkin, Marshall, 1842. 32 p.; 20 cm.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT125903Anonymous. By Edward Rushton. An errata slip is pasted to the foot of the final page.London: printed for W. Lowndes, and J. Philips, 1787. 6],32p.; 4

Title: Poems and other writings, by the late E. Rushton; to which is added a sketch of the life of the author by ... William Shepherd.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Rushton, Edward; Shepherd, William; 1824. 8 . 993.l.36.